Ennå ikke stor, måtte endre min TS-signatur
- Trådstarter Genta
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- 26. april 2011
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Jeg har prøvd den på armen mange ganger før, men egentlig aldri forstått hvor høy finish det er på Patek ift Rolex (som jeg har hatt noen stk av). Liker den meget godt!
@Solli: den brukes til "alt", men også med fornuft. Eks så ble plenen klippet med Klippoen jeg har til forvaltning og jeg syklet til jobb. Men når jeg skal male huset eller bygge terrasse legger jeg den inne og bruker beateren 14060m
Jeg har prøvd den på armen mange ganger før, men egentlig aldri forstått hvor høy finish det er på Patek ift Rolex (som jeg har hatt noen stk av). Liker den meget godt!
@Solli: den brukes til "alt", men også med fornuft. Eks så ble plenen klippet med Klippoen jeg har til forvaltning og jeg syklet til jobb. Men når jeg skal male huset eller bygge terrasse legger jeg den inne og bruker beateren 14060m
Pasop
Støttemedlem
- Medlem
- 26. april 2011
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- 5.448
@Timekeeper: signaturen måtte endres Men avataren forblir, det er et bilde tegnet av Gerald Scarfe fra filmen the Wall. Gerald som i Genta. Jeg er en stor Pink Floyd fan fra ungdommen av Et bilde som kan tillegges mye annet enn en blomst... og en film som angriper både publikum (iallefall albumet og sceneshowet, om ikke filmen), musikkstjernelivet og flere sider av samfunnet. Om avataren fra wikipedia:
For de av dere som ikke har sett Pink Floyds the Wall: den inngår i voksenopplæringen, og den bør således sees før første PP kjøpes Selv fattigsmanns- og innstegsmodellen Aquanaut.
Men avataren forblir, det er et bilde tegnet av Gerald Scarfe fra filmen the Wall. Gerald som i Genta. Jeg er en stor Pink Floyd fan fra ungdommen av Et bilde som kan tillegges mye annet enn en blomst... og en film som angriper både publikum (iallefall albumet og sceneshowet, om ikke filmen), musikkstjernelivet og flere sider av samfunnet. Om avataren fra wikipedia:The film
The song was featured in the film version of The Wall,[1] coupled with an animated sequence by Gerald Scarfe. The animation — described by Roger Waters in the DVD commentary as "The fucking flowers!" — starts with the image of two flowers caressing each other. Synchronized to the music, the flowers both have sex (taking the shape of a human couple doing so) with the male flower at one point is shaped like a penis, and the final form of the female flower is of a vagina, having a fight, and ultimately ending with the "female" flower consuming and destroying the "male" flower.
The flower sequence ends as soon as the first lyrics ("What shall we use...") are sung. The female flower, now transformed into a pterodactyl-like creature, flies into the distance as a row of residential and commercial buildings appears. These, however, turn out to be a wall of many post-war goods such as cars, electronics, appliances, etc. which slowly surrounds a "sea of faces". As the song speeds up and launches into "Shall we buy a new guitar?/Shall we drive a more powerful car?...", the animation becomes extremely morbid — the buildings evidently transform into the Wall, heads of people caught in the Wall screaming (the screaming face, seen later in "Waiting for the Worms"), flowers turn into barbed wire, a baby suffers a metamorphosis and turns into a reptile-headed creature and then into a Neo-Nazi stormtrooper, who smashes the head of a sitting-by dark-skinned man with a club and finally, the wall rams through a cathedral and the rubble turns into a casino-like temple, which produces more and more (albeit neon) bricks. A rag doll representing Pink is grotesquely contorted and transformed into an array of objects relating to the materialistic nature of Pink's Wall: a naked woman, ice cream, an MP-40, a hypodermic needle, a black Fender Precision Bass guitar, and a BMW M1. The sequence ends as the ground rises into the form of a fist who becomes a hammer (a hammer that would reappear in the animated sequence of "Waiting for the Worms").
The song was featured in the film version of The Wall,[1] coupled with an animated sequence by Gerald Scarfe. The animation — described by Roger Waters in the DVD commentary as "The fucking flowers!" — starts with the image of two flowers caressing each other. Synchronized to the music, the flowers both have sex (taking the shape of a human couple doing so) with the male flower at one point is shaped like a penis, and the final form of the female flower is of a vagina, having a fight, and ultimately ending with the "female" flower consuming and destroying the "male" flower.
The flower sequence ends as soon as the first lyrics ("What shall we use...") are sung. The female flower, now transformed into a pterodactyl-like creature, flies into the distance as a row of residential and commercial buildings appears. These, however, turn out to be a wall of many post-war goods such as cars, electronics, appliances, etc. which slowly surrounds a "sea of faces". As the song speeds up and launches into "Shall we buy a new guitar?/Shall we drive a more powerful car?...", the animation becomes extremely morbid — the buildings evidently transform into the Wall, heads of people caught in the Wall screaming (the screaming face, seen later in "Waiting for the Worms"), flowers turn into barbed wire, a baby suffers a metamorphosis and turns into a reptile-headed creature and then into a Neo-Nazi stormtrooper, who smashes the head of a sitting-by dark-skinned man with a club and finally, the wall rams through a cathedral and the rubble turns into a casino-like temple, which produces more and more (albeit neon) bricks. A rag doll representing Pink is grotesquely contorted and transformed into an array of objects relating to the materialistic nature of Pink's Wall: a naked woman, ice cream, an MP-40, a hypodermic needle, a black Fender Precision Bass guitar, and a BMW M1. The sequence ends as the ground rises into the form of a fist who becomes a hammer (a hammer that would reappear in the animated sequence of "Waiting for the Worms").
For de av dere som ikke har sett Pink Floyds the Wall: den inngår i voksenopplæringen, og den bør således sees før første PP kjøpes
Selv fattigsmanns- og innstegsmodellen Aquanaut.
Hvalrossen
Støttemedlem
